After disqualification in the 100m hurdles final sparked widespread discussion, Chinese national team athlete Wu Yanni posted an apology on Monday, expressing respect for the referee's final decision, and a determination to face failure and start over.
Chinese netizens expressed support for Wu and encouraged her to prepare better for the Paris 2024 Olympic and Paralympic Games.
According to media reports, an unexpected incident occurred in the women's 100m hurdles final at the Hangzhou Asian Games on Sunday. After the gun went off, Wu appeared to have set off early.
Following discussion, the referees decided to let all the athletes compete first and make the judgment afterwards. In the end, Chinese athlete Lin Yuwei crossed the finish line first with a time of 12.74 seconds, achieving a personal best. Wu closely followed with a time of 12.77 seconds, finishing second. However, the referee panel ultimately made the decision to disqualify Wu from the event.
"I am very sorry that my result was disqualified due to a false start, disappointing everyone's expectations. I deeply apologize to all my friends who have supported me and to the competitors in tonight's race. I respect the referee's final decision, respect the rules and the competition, and congratulate my teammates and opponents who finished the race," Wu wrote on her official account on Weibo, Chinese Twitter-like social media platform.
After the race, my coach and I have conducted a preliminary review. I need to improve my starting technique and adjust my mentality. I have burdened myself with a heavy load, which ultimately crushed me. But I will not give up. What sports has taught me is to get up where I fall, accept failure, face failure, and start over, Wu said in the post.
Netizens expressed their support and encouragement for Wu, with one saying that "mistakes in sports competitions can be understood, but what's more important is the intention to bring glory to the country. Wherever you fall, get up from there. We hope Wu can adjust her mentality and strive for the Paris Olympics."
Cheng Cheung Hung, a sprinter from Hong Kong, China, says Asia's fastest man Su Bingtian is his hero, who encouraged him to work hard to step on the world stage one day.
"Su Bingtian created a new Asian record. His super performance definitely earned him the title of 'Su-per,' I had the pleasure of shaking his hand, which was a great inspiration," said Cheng after his competition in China's first Student (Youth) Games on Monday.
Su was the first Chinese to run 100 meters in under 10 seconds in 2015, followed by Xie Zhenye in 2018. With a personal best of 9.83 seconds in the 100 meters event, he is the fifth fastest man all-time in the category at the Olympics.
Four weeks ago, Su delivered a lecture in Hong Kong when Cheng not only shook hands with his idol, but also was inspired by Su's speech.
"It was truly an enlightening experience for me," recalled Cheng. "Su encouraged us to try and challenge ourselves, to break the limit. Combining talent and hard work, we can step on the world stage."
In the men's 4x100 meters relay final of the Open category, the Hong Kong team finished fifth in 40.45 seconds on Monday afternoon. The 19-year-old captain admitted they had room to improve.
"Maybe compared to other teams, our advantage is not so obvious, so we chose some special strategies. However, the process of competition is a lesson for us. We can learn from others," said Cheng.
Majored in Physical Therapy, Cheng has well balanced his academic studies and training at Hong Kong Metropolitan University.
"The main thing is to do a good job of time allocation for studying and training," he said.
"In the classroom and on the sports field, it's all about learning. We can see the performance of different regional teams through participating in competitions, which is also a learning process."
Through studying physical therapy at university, Cheng gained a deeper understanding of human body structure and conducted scientific analysis of sprinting. He said he can be aware of the change in his physical state now and immediately adjust his training volume based on his knowledge and research.
"It would be a great honor to be involved in sports [after graduating from university], to pass on the experience I have learned now to the next generation, and I hope to help the development of sports in Hong Kong," Cheng said.
The epic World War II HBO mini-series Band of Brothers recently made a return to Chinese screens, and is now available for streaming on video platforms such as Bilibili, Tencent Video, and Sohu Video. This re-release brings the critically acclaimed series back to the forefront for both longtime fans and a new generation of viewers in China.
Since its release on Bilibili, one of China's most active streaming websites, on Monday night, Band of Brothers has received more than 17,000 subscriptions from the platform's users and rated at 9.9 out of 10. More than 1,000 viewers simultaneously caught the show at around Tuesday midnight. Produced by celebrated duo Tom Hanks and Steven Spielberg, Band of Brothers is an adaptation of historian Stephen E. Ambrose's novel by the same name.
The series offers an in-depth portrayal of the experiences of the Easy Company, part of the 101st Airborne Division during World War II, following the journey of officers and soldiers from conducting training in Georgia, to diving headlong into action in Normandy, surviving in Holland and Belgium, and eventually occupying Hitler's Eagle Nest.
At the time a relatively unknown Damian Lewis brilliantly headlined as Major Richard Winters, while Ron Livingston portrayed Winters' close friend Captain Lewis Nixon, whose striking resemblance to the character, coupled with his exquisite acting, continue to be lauded to this day.
Since its original premiere in 2001, the series has been lauded for its authentic battle scenes, deeply moving character developments, and the depiction of the soldiers' "bromance."
In 2003, the series was dubbed with Chinese and broadcast on China Central Television, attracting widespread attention and cementing its status as a classic in the eyes of a generation of Chinese audiences. To this day, it is still praised as one of "the must-watch American TV series," and is rated at a 9.6 out of 10 on Douban, China's version of iMDb. "This series explores the complex relationship between war, humanity, and courage from a unique perspective. While lamenting the brutality of war, it also allows one to appreciate the brilliance of human nature," a netizen commented on Bilibili. "I still remember the scene when I watched this series as a child; it was incredibly shocking to me back then," said another.
Both new and returning viewers were pleasantly surprised to find some familiar faces in the series - actors who were then newcomers and have since become big stars, such as Michael Fassbender, Simon Pegg, James McAvoy, Andrew Scott, and others.
In September, Band of Brothers was made available on Netflix, along with another HBO war-themed mini-series The Pacific. The two iconic series' sequel, Masters of the Air, will be released in early 2024, media sources reported.
This re-launch on various streaming platforms enables a new generation of viewers to experience the series' powerful impact and historical significance. It also serves as a bridge to understanding the global efforts, including those of China and the US, in the anti-fascist war. The availability of Band of Brothers enriches cultural exchanges and mutual historical recognition between nations, honoring the shared legacy of those who fought in World War II, analysts said.
Sichuan is experiencing light rain as Wu Lian walks on her way to work. Meanwhile, the earthworms emerging from the muddy ground along the road are also undergoing a migration.
However, some earthworms are getting stranded on the cement pavement. At moments like these, Wu Lian picks them up one by one and places them back into the soil, despite her hands getting covered in mud.
"Otherwise, they could easily be stepped on by passersby," she says. This unique habit stems from her trip to Lhasa, capital of the Xizang Autonomous Region, three years ago.
This "Earthworm Rescue Operation" is a very unique manifestation of the spirit of cherishing and protecting life that the Tibetan people have continued for centuries.
Near the Potala Palace, in the vicinity of Zong Juelu Kang (Dragon King Pond), during the rainy season, you can see people of all ages bending down to gently pick up earthworms that haven't been able to complete their journey and placing them back onto the grass.
This is because once the sun comes out in Lhasa, the worms quickly lose moisture and face danger. Some local children even take the initiative to inform unaware tourists to watch their step. Of course, this isn't just about rescuing earthworms; it's just that because earthworms are particularly fragile and inconspicuous, such a scene arises.
Even today, many Tibetan people still recite a protective mantra when drinking water, intending to liberate the microorganisms in the water about to be consumed. And they will tell their grandchildren the story of this small ritual like a tale.
Similar to how the Han people usually call for compassion for even the tiniest of ants, Tibetans start from rescuing earthworms. This custom originates from the core doctrine of "equality of all sentient beings" in Tibetan Buddhism.
Carried on to the present day, it can be said that rather than merely being a religious tradition, it has long been internalized as a guiding principle in the daily lives of ordinary people.
Another story is about the origin of the Shoton Festival. Before the 17th century, the Shoton Festival was a primitive religious celebration.
According to folk tradition, as the weather warmed in the summer and all living things revived, monks going out for activities would inadvertently harm living creatures, violating the precept of "do not kill."
Therefore, the Gelug sect's monastic rules stipulated that from the fourth to the sixth month of the Tibetan calendar, monks could only recite scriptures and practice in the temples.
On the day the ban was lifted, monks would leave the temples and descend from the mountains. To thank the monks, local residents would prepare yogurt and organize outings and feasts, including traditional Tibetan opera performances, to celebrate the occasion.
It can be said that the practice of loving and protecting life is the starting point of the socialization process for Tibetan children. Life is adorable, life is respectable.
Tibetans believe that one should do everything possible to avoid harming any life. If there is truly no choice, then one should still hold an attitude of respect and gratitude.
Such beliefs permeate through people's daily lives, in the cycles of seasons, and in their daily activities.
The fundamental principle that every newborn baby first learns is a profound empathy toward the existence of any life. As an extension of this spirit, Tibetans often exhibit the utmost compassion toward the weak.
The essence of compassion includes, but is not limited to, "tolerance." Its broader meaning encompasses acknowledgment, empathy, and an emotionally driven commitment to action.
In Xizang, during feasts, not only were beggars not driven away, but they were also treated as honored guests.
Even in contemporary urban life, Tibetans are still able to treat all members of society more equally. On this land, the quality of being "snobbish" is disliked by everyone.
Faith is not confined to temples but also ingrained in everyday activities. When we talk about culture, it is never limited to external forms like singing, dancing, or intricate artwork.
The local people's outlook on life has gradually extended beyond the region with the opening up of Xizang.
Therefore, when you hear tourists from other regions or countries expressing admiration for how Tibetan culture has purified their souls, it is likely not an exaggeration.
The Philadelphia Orchestra, a renowned US art group which embarked on a historic art icebreaking trip 1973, is scheduled to perform on Friday night in Beijing with China National Symphony Orchestra as an opening episode for a tour which will also make stops in Tianjin, Shanghai and Suzhou.
As the first American art group to perform in the People's Republic of China half a century ago, the orchestra has returned to China for their 12th visit after unexpected hiatus due to the pandemic.
"The pandemic is not the fault of either government, but has separated us," US ambassador to China Nicholas Burns said on Thursday addressing a reception commemorating the half century of friendship marked by music.
Both China and the US agree that we are in need of greater connections between the peoples, as the ballast of any relationship between two great countries is the people, Burns said.
The reception is hosted by the Chinese People's Association for Friendship with Foreign Countries (CPAFFC). Yang Wanming, president of the CPAFFC, sensed American friends' concerns about the recent China-US relations through communication with them.
"Yet I have also felt the strong desire of various sectors in the US, especially from the people and local communities, to improve the current situation and the earnest hope for stable and healthy development of the bilateral relationship," Yang said in his speech on Thursday.
Despite many complications in the US-China relationship, the people of China and the US have a lot in common and need to come together, Burns told the Global Times.
"We need more of this [music exchanges], and we need sports diplomacy," the ambassador said, citing his latest experience of watching Shanghai Sharks, with American players, in basketball game with Beijing Ducks on Sunday.
Burns expressed his hope that more tourists, students and businesspeople could go back and forth between China and the US, as people are an integral part of any diplomatic relationship.
Matías Tarnopolsky, the orchestra's president and CEO, said that music has the power to connect and to build bridges.
"It has been our privilege to contribute in a meaningful way to US-China understanding and connection for the past half-century. We hope that our music-making will continue to build bridges between our people and cultures for another 50 years," Tarnopolsky said.
Violinist Davyd Booth, 74, was on the historic tour in 1973 and every China visit since then. He shared with the Global Times in an earlier interview his vivid memories of the first tour and the development he has witnessed over the past 50 years.
"The friendship between the two countries bridges all sorts of gaps as music brings everyone together. Now we have many Chinese members in the Philadelphia Orchestra. China is really a part of us," said Booth. Musicians from the Philadelphia Orchestra performed excerpts from "Flax and Charlock" Fantasie Quartet, an excerpt from "Lan Hua Hua," adapted from traditional Chinese folk music that originated in Northwest China's Shaanxi Province.
They also cooperated with children from Beijing Philharmonic Choir to perform the traditional Chinese song "Jasmine Flower."
It is hoped that the children, and more people of younger generations, will inherit the cause of China-US exchanges and carry on the mission of friendship for the next half century and beyond, a reception attendee told the Global Times.
The second season of the National Excellent Musical Performance recently opened in Xiamen, East China's Fujian Province.
This performance brought together 18 musicals, among which the musicals The Ideal City and In the Distance, produced by the Beijing Performing Arts Group and performed by the Beijing Opera and Dance Theatre, stood out from nearly 100 participating works. The two works were staged at the Minnan Grand Theatre in Xiamen from November 13 to 18.
In the Distance focuses on the development and changes in the express delivery industry during a period of more than 20 years. Taking the struggle of young people as its center, it seeks to give audiences the persistence to chase their dreams and inject new vitality into original domestic musicals.
The "pioneering" musical has entered many first-tier cities such as Beijing, Shanghai and Guangzhou, and won the double affirmation of the market and word-of-mouth.
In September 2021, the original musical The Ideal City started brewing, and after two years of creation and polishing, it met audiences at the end of May, 2023.
The play takes a female perspective, playing out various workplace struggles in contemporary society. The ups and downs of the story vividly show the struggles of young people in Beijing.
The musical is adapted from a popular film and a TV show, based on realistic workplace ecology. With fashionable and novel artistic expression and avant-garde texture of the stage presentation, it won praise from all sides as soon as it premiered, and was hailed as "a surprise work of Beijing realistic musicals" by the public.
The 9 kilometers of dusty streets of Tangerang, a city near to the Indonesian capital Jakarta, has become an open air gallery, colorful and beautified by more than 50 mural and graffiti artists from different nations.
Dika Badik Adrian, a 28-year-old from Indonesia's West Sumatra province, painted a row of three pop art-style characters squabbling over a basketball in a mural.
The figure he developed in 2018 and appears as the main subject in all of his works is called Fresnot, an acronym meaning freedom is not free. This time, the Fresnots wore hats and brightly hued polka-dot masks in shades of blue, red, and purple.
"Wear a mask, so they don't get exposed to street dust," Badik told Xinhua recently.
This painting is a part of the Epicentrum street art festival, organized by the local community and has attracted artists from countries including Malaysia, the Philippines, South Korea, Sri Lanka, Thailand, and also Indonesia.
Sports, together with art and culture, are the primary topics of the painting process which run from Sept. 10 to Sept. 17.
The topic of sports is also present in the creation by Tangerang muralist Yosua Tan. He sketched a picture of a man with sunglasses and a football, a global favorite sport, and wrote "mafia" next to it. This illustrates a moral critique of football, which he said frequently turns into a political arena for certain parties.
"We hope that football doesn't turn into a political event; sport should stay sport," he said.
Ibnu Jandi, the festival's conceptualizer, said Tangerang is an urban area which was in the past a deep forest but quickly transformed with expansion of the development of the capital, with thousands of industries emerging and migrants coming from different provinces.
Similar to urban areas in other nations, not only the wooded areas vanished but also the local culture in many cases, many roads are clogged with traffic, and public spaces are congested, he remarked.
Akid One, 37, a Malaysian muralist, tried to showcase urban traffic in his works finished with classic tan colors, like an ancient landscape.
He said that after arriving in Indonesia, he observed the Legok highway, took pictures of it, and then used the images to create a mural showing the commotion of streets, in which there are many motorcycles travelling at high speeds, some with helmetless riders, or overloaded with woman and children, street merchants, and vehicles hauling cargo.
This scene also brought back him memories of his home country Malaysia, where he said streets were congested with cars.
"This is young people's expressions, they are not only trying to make the streets more attractive, but they are also 'rebelling' against crowded, dirty streets and shrinking public areas," Jandi explained.
The festival's art director, Edi Bonetski, added that every street has its story, and they chronicle a city's extensive history.
"When the street is our canvas," he remarked, "creativity is limitless."
Spaces for expression are expanding into the meta world as technology develops, Bonetski said, while offline works are still being done.
Evidently, a city's old walls are now lovely, its aspirations are on show, and anybody may view and appreciate them.
Dubai remains the top global destination for attracting Greenfield Foreign Direct Investment (FDI) projects, with the emirate attracting 511 Greenfield projects in H1 2023, as per Financial Times 'fDi Markets' data - the comprehensive online database on cross-border greenfield investments.
Dubai continues to set new benchmarks in global performance as an investment destination, surpassing second-placed Singapore by 325 projects.
During the first half of 2023, Dubai's global share in the attraction of Greenfield FDI projects stood at 6.58 percent - up from 3.83 percent over the same six-month period last year.
The results, which underscore the emirate's status as a key investment hub, align directly with the city's 10-year Dubai Economic Agenda D33, which aims to double the size of the emirate's economy over the next decade.
H.H. Sheikh Hamdan bin Mohammed bin Rashid Al Maktoum, Crown Prince of Dubai and Chairman of Dubai Executive Council, said: "Dubai's ability to maintain its top ranking in attracting Greenfield FDI projects reflects the city's ability to create unparalleled growth opportunities and value for global investors. Guided by the visionary leadership of His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President and Prime Minister of the UAE and Ruler of Dubai, the emirate has intensified its drive to accelerate economic diversification and innovation. This commitment, coupled with the adoption of advanced technologies, is shaping a future filled with endless opportunities for progress and prosperity. With the clear growth roadmap set out by the Dubai Economic Agenda D33, we continue to work to create an investment environment that not only wins the trust of investors from all over the world but also encourages them to contribute to Dubai's transformation."
In parallel, new data released by Dubai FDI Monitor at Dubai's Department of Economy and Tourism (DET), shows the city logged a total of 880 announced FDI projects between January and June of this year, a year-on-year growth of 70 percent. The Dubai FDI Monitor tracks, substantiates and analyses all types of FDI projects announced within the emirate.
Dubai FDI Monitor data also indicates that Dubai's Greenfield FDI projects account for 65 percent of total announced FDI projects. The report also states year-on-year Reinvestment FDIs increased from 3 percent to 4.4 percent when comparing H1 2023 with the same period in 2022.
Meanwhile, Dubai also saw a year-on-year rise in global Greenfield FDI capital attraction, reaching AED20.87 billion (USD5.68 billion). According to Financial Times Ltd. "fDi Markets" data, Dubai climbed from eighth in H1 2022 to sixth globally in H1 2023,
Additionally, Dubai ranks first globally in the attraction of HQ FDI projects, according to Financial Times Ltd. "fDi Markets" data, by attracting 33 HQ projects in the first half of this year, ahead of London and Singapore. The achievement further highlights the emirate's rising profile as a global hub for the headquarters of leading companies.
Helal Saeed Almarri, Director General of Dubai's Department of Economy and Tourism, commented: "We are continuing to accelerate efforts to deliver the Dubai Economic Agenda D33 launched by His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President and Prime Minister of the UAE and Ruler of Dubai.
"As we work to enhance the city's competitiveness and business environment internationally, these strong increases in announced FDI projects for H1 2023 drive home how our progressive policy enablers and diverse attraction programmes are resonating with global investors and decision makers alike."
The Financial Times Ltd. "fDi Markets" data also shows Dubai rose from ninth in H1 2022 to fourth place globally in H1 2023 in employment creation from FDI projects. The climb follows a 43.3 percent surge in job creation in H1 2023 compared to H1 2022, equating to a total of 24,236 jobs created through FDI.
In line with DET's economic diversification initiatives, Dubai's efforts to retain and attract highly skilled talent were illustrated in the top six sectors contributing to estimated job creation by FDI in H1 2023: Business Services at 5,212 jobs (21.5% share), Software and IT at 3,525 jobs (14.5 percent), Food & Beverages at 3,090 jobs (12.7percent), Financial Services at 1,813 jobs (7.5 percent), Consumer Products at 2,104 jobs (8.3 percent) and Real Estate at 921 jobs (3.8percent).
Dubai FDI Monitor states the emirate continued to attract medium-to-high-technology and low-technology FDI projects in H1 2023, with rates of 63 percent and 37percent, respectively, unchanged from last year. The data illustrates the prevalence of medium-high technology FDI ventures in Dubai, underscoring the city's status as a global hub for cutting-edge FDI projects and a nexus for specialised talent in the digital economy.
In terms of key sectors bringing FDI capital into Dubai, Financial Services (52percent), Business Services (12.8 percent), Software & IT Services (7.5 percent), Real Estate (6.9 percent) and F&B (3 percent) lead the way. The Dubai FDI Monitor showed the top five sectors accounted for 82 percent of total FDI capital inflow and 70 percent of total FDI projects. Leading sectors by FDI projects include Business Services (22.4 percent), Software & IT (17.8 percent), F&B (12.2 percent), Financial Services (9 percent) and Consumer Products (8.3 percent).
The first leg of the 8th EU-China Literary Festival took place at the Xi Yue Tang Library, Cultural, and Creative Park in Beijing, on Tuesday, to further deepen contemporary literary dialogue between China and Europe.
With the theme "Voices of the Present: Contemporary Literature," and an emphasis on the diversity of the contemporary literary landscape, the festival aims to depict the perspectives and cultural nuances of contemporary European writers.
Renowned Greek author Amanda Michalopoulou, participated in the 8th EU-China Literature Festival along with well-known Chinese writer Sheng Keyi. Together they engaged in a literary dialogue, on issues related to "Identity and Belonging" in contemporary European literature. Diplomats from the Greek Embassy attended the event.
Michalopoulou also discussed "Gender and Sexuality" with the Chinese writer and literary critic Wang Hongtu on Thursday at Shanghai's Fandeng Bookstore - C·PARK.
Aside from the writer dialogue, people have the opportunity to enjoy reading Greek books and participate in the "European literature reading corners" in six well-known bookstores throughout the country in cities such as Beijing, Shanghai, Chengdu, and Guangzhou, in a series of events that promoted cultural and literary exchanges between China, Greece, and Europe.
The reading corners activity runs until November 30.
The 26th China Fisheries and Seafood Expo (CFSE) held in Qingdao, East China's Shandong Province between October 25 and 27 was the event's first offline appearance since the epidemic.
Ambassador of Chile to China Mauricio Hurtado, and Natalia Cortes, Trade Commissioner of ProChile Beijing, attended this year's CFSE. In her remarks, Cortes noted the high nutritional value, safety and healthy qualities of Chilean seafood, pointing out that it has obtained all the most important international certifications. She mentioned the great importance Chile attached to CFSE as a platform, arranging every year for Chilean enterprises and industry associations to make the long journey from Latin America to take part. Cortes said she was looking forward to everyone enjoying a taste of Chilean seafood and learning more about the country's cuisine, wines, and culture.
The Chilean Pavilion with 13 Chilean seafood enterprises alongside Chile Mussel, has been a big draw at this year's CFSE. This is the first time Chilean companies have come to China to take part in the CFSE in person in the post-COVID era. They look forward to taking this opportunity to interact face-to-face with Chinese friends old and new in the sector, to better understand the latest developments in the local market and optimize the quality of their products and services.
